MICF 2012: JENNIFER WONG

Jennifer Wong - Ouch & Other Words

Sydney comedian Jennifer Wong’s first solo show at the Melbourne International Comedy Festival is stand-up for introverts; subtle observational comedy that explores some familiar topics – racism, depression and family dynamics – with no danger of audience harassment or forced participation.

Named by the Sydney Morning Herald as one of the Top 10 New Comics to Watch in 2011, Wong’s material is generally strong, though some routines are let down by awkward segues. Similarly, her call backs need work, and the occasional punchline falls flat because of her hesitant delivery.

Conversely, Wong’s knowing take on the difficulties of being polite in the modern world are fresh and engaging, as are her jokes about an uncomfortable Australia Post anti-racism campaign.

Constructed around the story of why she enrolled in a First Aid course, Ouch & Other Words is a promising hour of stand up from an emerging Australian comedian.

Rating: 3 stars

Forum Theatre, until April 22

Tue-Sat 7.15pm, Sun 6.15pm

An edited version of this review first appeared in The Age on Sat 14th April 2012.

MICF2012: JOHN ROBERTSON

John Robertson – Blood & Charm: Disturbing Stories for Disturbing Bedtimes

Death camps. Suicide. Sado-masochism. Australian Idol. Dapper Western Australian John Robertson explores the darker side of life with wit and charm in this gleefully macabre hour of stand-up.

There’s something of the shark about Robertson’s wide-eyed smile, and his manic intensity wouldn’t go astray in a Tim Burton film. His best routines are mostly autobiographical in nature, though he cheerfully admits to treating the facts “like George Lucas treats his films,” so that it’s never clear where truth ends and fiction begins in his tales of bondage, self-harm, and theatre in education.

His material – whether he’s dissecting modern drama or advocating the murder of The Sound of Music’s Maria Von Trapp – is edgy, intelligent, and smoothly delivered, though the appearance of a ukulele feels like a hangover from an earlier show, and a late moment of sentiment is a touch too contrived.

Astute, amoral comedy for the morbidly inclined.

Rating: 4 stars

Trades Hall, Evatt Room, until April 22
Tue-Sat 10pm, Sun 9pm

This review originally appeared in The Age on Wed 11th April 2012.

MICF 2012: IDIOTS OF ANTS

Idiots of Ants open their show with a WWII skit that successfully introduces the UK sketch comedy troupe’s four charismatic members and their fast-paced style, while simultaneously breaking down the fourth wall. It’s a fine start to a clever show which both reinforces and subverts the conventions of sketch comedy; here, the rapid stream of sight gags and jokes are interrupted by a sports-style halftime show analysing the performers’ strengths, skills and weaknesses.

Highlights include a unique take on love songs; a delightful live-Foley sketch accompanying an absurd silent film; a dad joke training school; and a hilarious 70’s style key party – though one too many skits are let down by weak punchlines, while another that surely intends to satirise sexism actually skirts dangerously close to it.

The quartet’s use of technology is sophisticated without being laborious, and their ability to ad-lib at one another’s expense, without impeding the flow of the show, is commendable.

Engaging sketch comedy that largely avoids the undergraduate.

Rating: 3.5 stars

Melbourne Town Hall, until April 22

Tue-Sat 8.30pm, Sun 7.30pm

This review originally appeared in The Age on Thurs 5th Aril 2012.

MICF 2012: FELICITY WARD

Felicity Ward in The Hedgehog Dilemma

An astute blend of hilarity and heartbreak, Felicity Ward’s The Hedgehog Dilemma explores the conflicting demands of our need for intimacy versus emotional self-preservation, in an hour of finely crafted and deftly performed stand-up.

Greeting her audience in a wedding dress – the origin of which is soon made painfully clear – Ward embarks on a confessional but never cloying story about breaking up, moving back in with mum, and a tentative new relationship. Her winning tales of woe are punctuated by everything from filthy jokes and a slide show to clever physical comedy – including a delightful impression of a resentful axolotl.

Her performance is remarkable and her material inspired, whether she’s dancing to Joy Division, pointing out the foibles of her fellow comedians, or revelling in the unusual mating habits and remarkable genitalia of hedgehogs.

Wicked, heartfelt and wonderful, Ward’s latest show is sidesplittingly funny and so honest it hurts.

Rating: 4.5 stars

Victoria Hotel until April 22
Tue-Sat 9.45pm, Sun 8.45pm

This review originally appeared in The Age on Thurs 5th April 2012.